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Open a larger version of the following image in a popup: PAUL STORR, A Magnificent Pair of George III Salt Cellars, 1810

PAUL STORR

A Magnificent Pair of George III Salt Cellars, 1810
Sterling Silver
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Maker's Mark of Paul Storr London, 1810 Width: 11.6cm (4.57in) Total Weight: 22.4oz (696.64gr) These remarkable pair of George III sterling silver salt cellars, made in London in 1810 by...
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Maker's Mark of Paul Storr
London, 1810

Width: 11.6cm (4.57in)
Total Weight: 22.4oz (696.64gr)

These remarkable pair of George III sterling silver salt cellars, made in London in 1810 by the celebrated silversmith Paul Storr, exemplify the imaginative naturalism and technical virtuosity that established Storr as the foremost English silversmith of the Regency period. Both functional and sculptural, they transform the humble salt cellar into an object of striking artistic ambition.


Each circular bowl is embraced by a pair of finely modelled serpents whose sinuous bodies coil around the exterior, forming both supports and handles. The creatures rise elegantly from beneath the vessel, their textured scales meticulously chased to create a convincing sense of movement and vitality. Their intertwined bodies terminate at the rim, where the serpents appear poised in protective guardianship over the gilded interiors. The bowls themselves are of restrained, classical form, allowing the dramatic serpentine ornament to command attention. This juxtaposition of plain polished surfaces and richly modelled decoration is characteristic of Storr's finest work.


The design reflects the Regency fascination with the exotic and the antique. Serpents had long been associated with wisdom, eternity and protection in classical mythology, and their use in decorative arts became particularly fashionable in the late eighteenth and early nineteenth centuries. Storr frequently drew inspiration from archaeological discoveries and the renewed interest in the art of Greece, Rome and Egypt. Here, the snakes serve not merely as ornament but as an integral part of the structure, demonstrating the sculptural approach that distinguished his work from that of many contemporaries.


 An almost identical example, dated 1815, is preserved in the collections of the Victoria and Albert Museum, testament to the importance of the design within the canon of British silver. More than simply tableware, these salt cellars are works of sculpture. They embody the qualities for which Paul Storr is most admired: exceptional craftsmanship, bold originality and an ability to elevate everyday objects into expressions of artistic excellence. 

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